Mitchell kanashkevich – The Creative Process + The Digital Darkroom + Ebook + RAWs

Mitchell kanashkevich – The Creative Process + The Digital Darkroom + Ebook + RAWs

A blueprint to creating powerful photographs? Finally-an educational resource that goes beyond the f-stops, compositional rules and gear

You love photography. It’s your passion. You want to be good, even great at it. But those special photos remain elusive. That’s why you’re here.
There are now more ways to learn than ever but

Most content online is created by photo educators who don’t have much credibility as photographers. They can’t teach what they don’t know – how to create compelling photographs. If you’ve heard one – you’ve pretty much heard them all. “Shoot during the golden hour. This is what the aperture and the shutter speed do. Here are the rules of composition and here’s how to make your images pop.” You’ve likely been learning recycled information in different packages.

“You’ve likely been learning recycled information in different packages.

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CLICK ANY OF THE IMAGES ABOVE TO VIEW THEM AT FULL SCREEN
Avoid Wasted opportunities and a hard drive with underwhelming, mediocre images

What you saw during your trip was amazing. What you’ve captured doesn’t come close. No point lying to yourself. Hard earned cash spent and most chances are gone forever. This is FRUSTRATING.

“Repeat this mistake and you’re guaranteed wasted opportunities and mediocre photos.

Familiar feeling. I’ve been there. Learned the hard way – through trial and error. My mistake, but I didn’t have the resources that are available now. Repeat this mistake and you’re guaranteed wasted opportunities and mediocre photos. The journeys are still enjoyable, but I’d be lying if I said that I don’t regret those wasted opportunities. The whole point of this educational resource is to give you the tools, so that you don’t regret anything. NO EXCUSES.

Winning portfolio displayed at the Travel Photographer Of The Year in London
an eye-opening experience

That’s how photographer friends described traveling with me and seeing how I work. I realised something from this feedback. They’re serious about their photography. If they got so much out of seeing how I work, others who are serious about improving can benefit a whole lot too.
A rare behind the scenes look where nothing is held back

After I won in the Travel Photographer Of The Year competition things clicked. Those winning photos proved to be successful. They were also published in Geographical UK magazine. Using these images I’ve created the closest thing to a blueprint. A blueprint to making photos worthy of awards and publications. I’ve included EVERYTHING – my entire creative process. How did I chose the best photos from each shoot? What did I do to make the most of them in post-processing? It’s a rare behind the scenes look. I’m not holding anything back.
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BETTER THAN A WORKSHOP FOR LESS

Photography workshops are EXPENSIVE. The costs are from USD $2,500 – USD $10,000. But, here’s the truth. Despite what you pay, getting total access to a serious, pro photographer is very uncommon. Anyone who’s been on a workshop can tell you. It’s also rare that a photographer will show you all their images. Even more rare is getting in-depth explanations behind all their creative decisions.
You can spend thousands, but the educational value of a workshop doesn’t compare to a resource like this.

I’m not anti-workshop, but let’s say you are going to spend all that money. Wouldn’t it make sense to be as prepared as possible? Imagine your next photo trip. Now imagine you’re armed with actionable knowledge. You come back with something that makes you happy. And if you weren’t prepared? You’ve got no images to be proud of. All that money you spent. It’s like you flushed it down the toilet.
Why listen to me?

Besides the winning images here, dozens of magazines have published my work. From Nat Geo Traveler to Vanity Fair. Prints of my photos hang in embassies and in museums. I’m also a Panasonic Lumix Ambassador. I won’t go on. Not one to toot my own horn. Not the point here.

The point is, you’ll be learning from a photographer with a proven track-record in making powerful images. I don’t only know how to teach photography. It makes a world of difference. You can have the confidence that what I’m teaching you works.

Of course, even the best photographers can be bad teachers. You should make sure that this isn’t the case here. I encourage you to read the testimonials about this educational resource down the page.
How can you create compelling photographs worthy of awards and publications?
Below is a taste of what you’ll see inside

How to search for that amazing photo. (The first obvious question that’s rarely asked)
The truth about compositional rules. There are more organic and fluid ways of looking at composition.
Why being a photo sniper makes no sense in the digital age. (I’ll explain what a photo sniper is)
The crucial factors that make the difference between a great photo and one that falls short.
Can a great image be the result of an accident?(Confession time, but it’s not what you might think)
The practical approach to capturing the moment.

The important factor that’s guaranteed to add depth, mood or a sense of story to your images.
Practical, actionable tips to turn natural light into a powerful creative ally.
Where should the eyes of your subject be looking? (Important because this directs the viewer’s eyes too)
What factors increase your chances of getting powerful photographs.
Things to never do in the field (you’ll have much less missed opportunities as a result)
What role do the technical settings play? (Not only the info, but the explanations behind every decision)

A decade worth of knowledge is transferred to you via visuals, sound and music. Be inspired, motivated – CREATE powerful PHOTOGRAPHS

TAKE A PEEK INSIDE. CLICK THE PLAY BUTTON OVER THE IMAGES.
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An immersive experience

It’s proven that you absorb information better when you engage more of your senses. An entire soundtrack accompanies the videos. As you view the images I made, you’ll also hear the sounds that I heard. It’s almost like you’re there with me in the field. There’s music to set the ambience too. Turn up the volume and check out the above video fragments to see and hear what I’m talking about.
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additional examples

In the videos I’ll share many concepts I learned by making and analysing photos. Composing with diagonal lines, or in layers. Creative use of light. The smaller nuances too, like shooting on eye level with the action. I’ll show you the images that helped me — and will help you — understand these concepts in greater depth.
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Stories and tips

Over a decade in the field has taught me many valuable lessons. I’ve compacted some of them into short and accessible video anecdotes. These are tips that will help you avoid mistakes. They’ll also give you the confidence to try something new. Click the video segment above. I talk about what being curious like a child can lead to, as far photography goes.
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YOU’LL NEVER MAKE THE MOST OF YOUR PHOTOGRAPHS without

MASTERING POST-PROCESSING. Everyone knows that getting it right in camera is only the first step. The “Digital Darkroom” videos will empower you to make the most of your images every time.
Raw Image File Icon
You get the RAW files. Follow along, learn by doing.

My post-processing style is a big part of what makes my work stand out. It gives photos a certain edge. Makes them look more dynamic, yet realistic. I’ll teach you all my techniques.

Load up the provided RAW files of all 4 winning photographs. Watch what I do in Adobe Lightroom step-by-step and do the same. I’ll explain all my actions as I make them. You’ll understand the Why, not only the How. As a result, you’ll be able to make the right decisions when post-processing your own images.

Get Mitchell kanashkevich – The Creative Process + The Digital Darkroom + Ebook + RAWs download

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CLICK ABOVE FOR SAMPLE VIDEOS
inside the “Digital Darkroom”

How to make your images look dynamic.
Can post-processing help with story telling?
The technique to fix unwanted colour distortions.
How to bring out the character of your subject.
What colour profiles do and when to use them.
Is cropping a no-no?
What to pay attention to if you’re printing large.
Why enhance the smaller details.
When to use Global Adjustments and when to use Local Adjustments.
Is sloppy post-processing fixable?
What’s the practical function of the histogram?
When to use the Graduated Filter.

Read more: https://archive.is/BsZWw